MUNDOS DIGITALES | JUAN ANTONIO ÉCIJA

Isabel. Small budget, big VFX

LECTURE

Auditory butic be different

SPANISH (NO SIMULTANEOUS INTERPRETATION)

With a personal experience of more than 6,000 VFX shoots in productions such as Isabel, Víctor Ros, Carlos Rey Emperador or El final del camino among other series, José Antonio will explain in this presentation how to optimize the capabilities of developing quality visual effects with very reduced resources.

Knowing thoroughly all the phases of the production, mastering the software and necessary techniques is key so that a small team of 2 or 3 people can face a challenge of these characteristics, so that the productivity is maximized from the preproduction to the final delivery.

Juan Antonio Écija

VFX Supervisor

Línea-64

He began his journey in the world of 3D learning at home with a home computer in 1990; 100% self-taught, in 1997 he joined a small 3D production company, becoming freelance 3 years later.

For 10 years he has been exclusively dedicated to 3D projects of all kinds: advertising, architecture, medical simulations... also teaching at several schools in Barcelona.

With more than 20 years of experience in 3D projects for advertising, architecture or medical simulations, in 2010 he began to create visual effects with the development of the effects of Isabel. Two years later he created his studio, Línea64 Efectos Visuales, to make the VFX of the second and third seasons of Isabel and Victor Ros, and later those of Carlos Rey Emperador and in 2016 of El final del camino.

Always working with teams of no more than 3-4 people per project, in the last 7 years he has made more than 6,000 visual effects shoots for these and other series, shorts, trailers and some movies such as La Herencia Valdemar, La Sombra Prohibida, La maldición de Emma Evans, Toro, The Other Land and currently in postproduction process, The Winter Hunger and La mujer del siglo.